Saturday, 4 May 2013

Ebira Traditional Burial Ceremony
Ebira strongly believe in life after death and so burial ceremony was/is regarded as a noble and cherished duty towards the dead whom they anticipate will come back to life one day. The type of burial ceremony depends wholly on the age of deceased, sex, wealth and social standing. Slaves or other people considered to be low castes cannot be given second burial, however famous. Ogugu and night masquerade dances may not stage for such people. Strictly speaking, there are no formal ceremonies for the young and children. Such death is regarded as painful. The only thing done in the past apart from the normal but un-ceremony burial was to summon all the women together in the compound so that the most elderly man in the family could caution them to refrain from taking the life of a child or youngster.
This is because the Ebiras believed that the death of such people was caused by witches. To them the young had not enjoyed the life for which they were created and hence could not die indiscriminately. On the other hand, when a fairly aged man or woman dies, a formal burial is generally given. However, a second burial is never given to a woman irrespective of her age, achievement and position in the community. This is because women are excluded from masquerade secrets. Because of the importance placed on the burial ceremony, anyone who could not afford an elaborate one somehow was scorned by the local people, hence all effort were always made to impress people. As a result of the high expectations, dead bodies were not buried in good time even though they were improperly preserved. The corpses were usually dried by fire until people were ready to have been buried. When there was no money to affect a grand ceremony, the children or relatives of the deceased would go outside the Ebiraland to search for money and this might take several months. Couples could be left for nine months. This is now obsolete in Ebira and this was chiefly due to the Atta’s personal intervention. The custom of keeping a death body for three months was cancelled by the Atta in 1920.
When any person in the above dies, and after the normal gestures of disapleasure, the body is washed with warm water, dressed gorgeously and left in state for the general public to pay their last homage. In the past, Ebira drum called Arigede was beaten first when a man died. The surroundings were decorated with assorted cloths. This is what the Ebiras called avahi. Dances of various kinds are staged at night. On the following day, asamakuru goes from place to place in the locality to announce the death. (This is for men only). Then, Ogugu, the most ancient and warlike Ebira dance is staged before and after burial (internment). (This is only for men) These dances could take two or three days before burial in the past; today however, the burial lasts for only 24hours. Night masquerade dances are staged for the deceased normally the night of the burial. In olden days special food (called ogara) was prepared and eaten at the place where the dead were lying in the state.
The main reason for this perhaps was to give opportunity to the deceased to eat his/her last supper with the family! This cemetery. Since this particular. N.A order is against the tradition of the people and the fact that resentment from the Ebira has been shown from 1935 to date, a compromise should be sought: Headmen of a kindred and all the tradition chiefs would be burial in their homes provided the graves are well prepared and approved by the Health superintendent of the area. The present indiscriminate burials of the people whose social standing in the community is not enough to merit such honor ought to be discouraged-this may necessitate the overhauling of the 1936s order!
If the deceased had slaves, some were burial alive with the corpse as well as some other valuable properties-eva and irepa for men only. Burial are usually marked by the killing of cows or rams and the meat is shared by the children, relatives and omenyi-merternal relations 9in the case of a woman) of the deceased. If the deceased man was later given a second burial (ekuoba) one of the slaves buried would be made ‘ekuechichi’ to guide his master.
Although the burial ceremony of a woman is identical to the above, there are however some little and important changes. Gun salutes (as we have seen above) could not be effected indiscriminately and the guns of the deceased’s relatives (called omenyi) are fired first. The burial of a woman was definitely controlled and executed by ‘omenyi’. No formal burial of a woman could take place in their absence. They alone dressed the corpse and dug the grave. Nowadays their traditional rights of monopoly are being systematically and vigorously questioned and their authority over the woman’ burials is declining but their traditional gifts are still reserved for them. Among the Ebira Igu community, women were/are buried neither in their homes nor in any particular place but buried in the direction of their natal homes. Many Ebiras (especially the staunch Moslem converts) follow the normal Moslem burial rites nowadays.
Second Burials.
Strictly speaking, there is no second burial for women as such , although on the 14th day, third and months of a woman’s death (called ‘ewurena’ ‘uwhueta’ and ‘ewhuehina’) special dances are staged and various gifts such as money, hoes, cloths etc are given out to the relatives, friends and well wishers of the deceased. ‘Enyonu’ is one of the most important features. The secrets of ‘enyonu’ are kept away from men. They are believed to form integral parts of women’s powers. This particular practice was discouraged by the Atta of Igbirra because it was very extravagant. Most people did not welcome the Atta invention and hence these ceremonies, especially those of the 14th day, have been revived. On this day special sacrifices are made on the tombs.
This is what the Ebiras called ‘oyipikuta’. In most of all burials ceremonies, men play very vital role in financing the wives relatives. This is particularly true of the father-and-mother-in-law ad is generally regarded as part and parcel of the bride price and it is therefore refundable at any subsequent divorce. The normal amount towards the burial for mother-in-law/father-in-law was N100 but this is rapidly increasing. It is compulsory for a man to take part in burials of these people. In addition to the above ceremonies, there was/is a strict second burial for men. This is compulsory. In Ebira Toto, a person to be given a second burial is always buried secretly and when he is made ‘eku’ women do not see it but can only hear its voice.
The second burial (when the deceased is transformed into ‘ekuoba’) is highly tedious and secretive and it is therefore improper to discuss it in detail here. It is however, sufficient to say that the second burial is part and parcel of Ebira’s religion and that this normally takes place nine months after the interment. The deceased was aware that he would be given the second burial. Furthermore, only men of outstanding character and ripe age (over 70years old) could be given a second burial and such caliber is made ‘ekuoba’. Slaves and all those considered as ‘low caste’ are not qualified for the ‘ekuobahood’ however powerful and important. Even very outstanding men who die in battle fields were/are not considered at all for the second burial-an eligible must die normally and peacefully.

The making of ‘ekuoba; usually includes the physical embodiment of the deceased into the ‘ekuobahood’ (in the form of oha) and therefore the ekuoba is conceived as the ancestral spirit (ozu of the deceased) and the ekuoba takes the actual name of the deceased. It is physical embodiment that is really worshiped in the afternoon preceding the ‘Great Night’ when the blood of the he-goat/ram etc are spread over the ‘irapa’ where the ‘oha’ and the ekuoba outfits are kept. There are two sides of the second burials (when the deceased comes out as ebkuoba) and we will now consider these from the Ebiras religious determination.
Ebira Achievers and Heroes
Names
Meanings
Sex
Eniyamere
That which the eye has seen
M
Otuwho
Child named after a succession of deaths of other children in a family
F/M
Aze
Child of difficult circumstance
F
Ovavi
Child named after a succession of previous children
M
Ochiiji
Child of a termagant (both M & F wife) who is notoriously quarrelsome

Onozare
That which is seen by the naked eye, or is God-given
F
Osheyiza
That which is memorable or can serve as a witness
M/F
Anoze
That which is delivered on the way to the farm ot that which is to open the gate for others to follow
F
Ananwureyi
That which is heralded by memorable events
F
Ireyi
Heralded by some memorable events
F
Adaviruku
Name usually given to the heir of the family
M
Anayimi
That which is given or surrendered to me
F
Oricha
That which is given or surrendered to me
M
Ozovehe
Man is the symbol of life or creation
M
Otori
Friend of the oracle or the shrine for worship
M
Onyeche
Named after a festival, meaning the mother of festival
F
Uhuotu
Meaning that this world is mere a stage and we are all players or spectators to play our respective parts and roles until we die.
M
Adinoyi
The father of the multitude who serves as a protective umbrla shielding others in need of such protection.
M
Ezuhio
Heralded by the many or the multitude
M
Enebe
Heralded by the many or multitude
M
Azamare
Test (Trial), that he who is under the test of God for survival.
M
Omata
Endless nature of creation
F
Ozomata
As a symbolised by the name of that which is healed by hope and abundance for the future.It is the symbolism for continuity and eternal creation by God.
M
Asimi
If mankind will allow me the survival of this child.
F
Ajimituwho
Spare me today till tomorrow, which day metaphorically continues till eternity (since tomorrow has no end).
M
Avidime
The initiator who work is subsequently perfected by those following him in life
M
Enesi
That child which is greatly sought for, the much-loved child.
M
Itopa
A historic child
M
Amewuru
The harbinger of confusion, ot the man who causes chaos.
M
Adeeku
Father of masquerade
M
Adabara
Father of compund
M
Adajinege
The tallest of them
M
Adavize
Father of wealth
M
Adeyiza
Father of all
M
Adomuha
Father of abled man
M
Adooro
The one that is a stunbling block

Ahovi
Enquire very well
M
Aduvo
Father of hand
M
Ajooze
Thw one standing on the way
M
Onoto
The one that is proud and self-centred
M
Onoruoiza
Good man
M
Onotu
The one that is met
M
Onozasi
The one people search for
M
Onsachi
The one that accept to be sent
F
Onuchi
The one that you help to bring down the load from head
F
Onume
The one in the period of time

Onuwoji
The adviser
M
Onuya
The sufferer
M/F

Ekuehi Festival

Ekuehi Festival
Many people spel Ekuwechi as Ekueehi, the latter seems for as it stands, it means ‘do death people descend? And does not portray the philosophy of the festival. On the other hand, Ekuehi (dead people are depending) portray very vividly the philosophy of the festival. Ekuehi contracts wit the Christmas and it is celebrated yearly. While Christians is for the remembrance of the death of our great ancestors, and is generally celebrated between November and December of every year. Ekuehi does not mark the beginning of the year. It marks the end of the year, as the Ebiras elegantly and forcibly put it ‘azarayi’. Furthermore, the Ebiras did not claim that their ancestors initiated the ‘eku’ cult which does not necessarily mean in Nigeria.
Origin of Ekuehi Festval.
There are two traditions on the origin of ‘eku’ cult (ekuoba) or Ekuehi festival in Ebiraland and these come from Okehi-Ohuodo and Eika respectively, two of the five sons or major branches of Ebira. The first tradition on the origin of ‘eku’ cult were seized by the wretched and destitute woman naked Onyonokumi from ovagu (a red monky) okavu (a family of red monkey), noting however that the Ebiras normally regarded theses animals as powerful for they are associated with the gods and goddesses. These instrument were eze, opipi and opo, ovagu was beating the eze onchere the ‘opo’ and ‘isu’ the ‘opipi’ while the rest dressed as modern Ebira masquerades dancing and singing. The woman went on fire-wood expedition when she saw the strange but interesting performance of the animals.
According to the oral tradition, the woman made some noise which made the animal to run away leaving behind all instruments including the ‘eku’ custome. This tradition could not say who Onyonokumi was but remarked that she lived with the five sons of Ebira who sojourned at the Okehi hils. After collecting the materials, she went home to show the elders what she had seized from the animals. It was further asserted that neither Uga (Okengwe), Ihima, Eika nor Adavi could identity the materials. On the other hand, Ododo on seeming the woman with the materials far away declared unequivocally that he (Ododo) knew what the materials were and confirmed that the things were used and important. He immediately called his senior wife ‘tuoga’ (a praise of great achievement) for these costly but strange things. Ododo further went into his room (abara) brought some coweries and began to throw in momory of this wonderful and historic occasion, Ododo then bought the materials from the woman ( exact amount amount not stated ) and told her that all woan would then be excluded even in the midst of their social and political changes. Thus, women would have been the further of ‘eku’ in Ebiraland. Unfortunately, Onyonokumi sold the materials to Ododo and further agreed to their exclution from the secret of ‘eku’ cult.
The Okehi tradition further claimed that Ododo went ahead single-handedly with his sophisticated plans to institute the ‘eku’ cult in Ebiraland. This preparation included the establishment of ireba Ododo shrines for Ododo in Okehi. This tradition did not say anything about the trouble between Ododo’s and Ekuoba’ the embodiment of Ododo’s spirit into ‘Ekuobahood’ was called Obadume. It should be stressed however that before Ododo died, he instructed his senior son on how to embody his spirit (which was conceived to be indestructible by death) into ekuobahooh and these instructions were immediately carried out after Ododo had died.
The second tradition (from Eika) on the origin of ‘ebuoba’ (eku cult) asserted that Ododo and Obaji (two real brothers) actually planned together to install ‘eku’ because of their strong and indisputable beliefs in life after death and that men were superior to women and to counter women’s witchcraft enclosure. The tradition did not mention anything about Onyonokumi and the instruments Ododo brought from her. The two brothers having jointly finished all the ‘eku’ outfits and the necessary charms (including ‘Ireba’ Ododo and Ireba Obaji (shrnes where the eku outfits were kept), they were all handed over to Ododo, the younger brother, to keep. It hen happened that Obaji was seriously ill and was at the point of death, Ododo was informed as was the custom. Ododo was believed to have said Obaji is the elder of the world, I will not allow him to be elder in the next world. Hence Ododo was said to have committed suicide ‘spiritually’ (or through the help of charms) and he was immediately made ‘eku’ in accordance with the previous instructions. On the next day, Obaji died (naturally) and he was also made an eku (second in Ebiraland).
Yearly these two important occasions were (and are still) celebrated by the descendants of Ododo and Obaji thus giving rise to Ekuehi, festival. As time went on, eve celebration (called ‘unehe) were added and this brought about physical conflicts between the celebrants of Odod’s death and the celebrant of obaji’s death because women were/ are allowed to take part in the eve celebration. Owing to the final consequences of the physical conflicts, Adavi (one of the Sons of Ebira) intervened and grace of the three days allowed between Ododo’s feast and Obaji. This is now the situation today

History of Ebira People

                             History of Ebira People
History of Ebira Attempt to trace the actual origin of the people has not been easy. The early works in this direction are full of conflicting claims and contradictions. What is however certain among the scholars is that the various ethnic groups race, which collectively constitute the six linguistic groups of the Ebira race, are said to have migrated at different times before the First World War (1914-1918) to their present settlement which are respectively located in the State of Adamawa and Gongola among the Jukuns. Plateau among the Nassarawa, Benue among the Igalla extraction of Itobe and Ajaokuta, Kwara and Kogi among the dominant Ebira Tao and Ebira Koto stocks of Okene, Ajaokuta, Adavi, Okehi, Kotonkarfe and Lokojaa local government areas and Edo among the Igallas in present day Edo State of Nigeria. Records have it that the early history of the Ebiras dated back to the sixteenth century (circa 1500) when the defunct Kwararafa Kingdom was a flouring empire that engage in fierce wars of ethnic conquest with the Usman Dabfodio fame and the war moguls of the El Kanemi Kingdom of the Borno empire. This three pronged war later proved to be decisive in shaping the present identities and destinies of the minorities pagan tribes that constituted the then Jukuns, Idoma, Tiv, Anagas, Ebira, Igalla and Igalla sub-ethnic stock that made up the then Kwararafa Kingdom of these minority ethnic groups who were largely pagans before conversion by the Muslim and Christian missionaries.
They were pagans because by the tradition of the ancestors they neither embrace Islam nor Christianity. Essentially, they worshiped the deities and consulted oracles as their original religion before the advent of Islam and Christianity. It is of interest to mention that this war of attrition among the natives of these dominant Kingdoms was the order of the day before the advent of the British colonialists. Resenting the central administrative authority of the Jukuns in the Wukari area of the Kwararafa kingdom, the Ebiras like the other disparate ethnic groups, migrated under their leader whose actual personal name remain unknown up till date, though one account has it that he was called Ebira. They migrated frequently and at different times from one unsuitable spot to another as an expression of their resettlement against tyrannical rule, among other reasons. In the case of the former reason, they did so in order to free themselves from the resented bondage and clutches of the Jukuns and headed southward before the end of the sixteenth century. In the course of this ethnic war of independence within and amongst the constituent natives of the Kwarafafa Kingdom, the sixth ethnic groups and their fellow travelers moved extensively in different directions south of the Sahara. The six Ebira ethnic groups according to oral history are given as follow: The Ebira Tao or Ebira Ehi of Kogi and Kwara State. The Ebir Igu of Ebira Koto of Kogi State. The Ebira Agatu of Benue State The Ebira Panda or Ebira Umasha of Plateau State.
The Ebira Oje or Ebira Toto of Plateau State. In the course of this migration in search of local self rule and independence, as well as suitable farmer land, the Ebiras shared common experience and agonies with their Igalla, Idoma, Tiv, Umasha, Ebira Panda, Angas and Igarra (Ebira Etuno) brothers and sisters of the Kwararafa stock who were fleeing for new founded land north and south of the Rivers Benue and Niger.Like war-afflicted refugees, they collectively fled in and droves southwards towards the fertile banks of River Benue and Niger, and the wet savannah lands where pasture and aquatic life were rich and the topography identical to that which they were leaving behind in their original Kwararafa empire. In this way, some of the migrants settled at different spots, first among the Tivs and Idomas of Benue State, then among the Angas and Nasarawa people of Nasarawa State. This early group of migrants was left behind by the Ebira Koto and the Ebira Tao people of Kogi state. In the Edo State, the Igarras were the Ebira extractions who fled the Kwararafa Kingdom, and after crossing the River Niger together, left behind their kith and kins who were the Ebira Tao in Okene, Adavi, Ajaokuta and Okehi LGAs of Kogi State.
It is of interest to note similarly in name between Kwararafa Kingdom and the defunct Kwara Local Government later Kogi Local Government in Lokoja reas, and the present Kwara Sate. Both terms were derived from the Hausa name for a river called Kogin Kwara. In all the place they traversed, the Ebiras left behind their erstwhile brothers and sisters with whom they hitherto lived together and shared a common language. Each of the six Ebira sub ethnic groups derives its language from a corruption of the same Ebira mother tongue, with slight variation in accent, diction and etiology. Those of them not contented with the geography and traditional occupation of the new settlements, migrated further south to Okene in the present day Kogi State and Igarra in Edo State. The route followed by the different Ebira migrant groups probably commenced from Wukari. Ibi and Lunga in Gongola State, and then proceeded through Lafia to Nassarawa and Toto. It tooks off again from Nassarawa and Toto and proceeded to the banks of River Niger and Konton Karfe, Lokoja, Itobe and Ajaokuta from where it branched off the Ebira-Okene (TAO) dialectical groups, while it terminated at Igarra in Edo State for the Igarra speaking group whose mother tongues is a corruption of the original Ebira Kwararafa race. These distinctive settlement patterns are found among the Jukuns of Gongola State, the Ebira Pandas among the Idomas of Benue State, and the Ebira Koto of Kontokarfe in Lokoja as well as the Ebira Tao in Okene, Adavi, Eika and Okehi Local Government of Kogi State, and the Ebira-Igarra of Edo State.